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Post by uncorked on Aug 29, 2007 13:44:48 GMT
I'm so excited!!!! I have orchestra seats for Oct 26th Row A seats 103 104 --I cant believe it !! Anyone have suggestions for a Hotel?
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Post by ukelelehip on Aug 29, 2007 13:49:11 GMT
Oct 19, can't wait!!
p.s. am I the only one to suffer from the condition that now I can no longer pronounce October as an ordinary word but I have to emphasize it like Jan did when he meets Nigel at the wall and they talk about Max's upcoming birthday...
Oh yes, October!
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Post by catdishy on Aug 31, 2007 5:04:09 GMT
I was looking online at tix for Nov 21 matinee and the first 18 rows looked booked already!Day before Thanksgiving..I"m starting to feel a little panicky already.
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Post by maxx02 on Aug 31, 2007 12:31:22 GMT
That's great news! I wanted to wait a bit before I checked back in to see how ticket sales were going... why does it make you panicky? Pick a different day. Go after the first of the year. Wait until they extend the run. Sit in the first row of the mezzanine. Sit in row 19. I saw Frost/Nixon at this theatre and I can tell you that last row of the orchestra is perfectly good. You can see very well and hear very well. This show is currently booked to run through March. There are tons of performances between opening and closing and if you book further out you'll get more of a choice of seats. (psst. I wouldn't sit that close anyway. You need to be just a few rows further back for optimal viewing. Otherwise you're going to have to crane your neck up for 3 hours to see the actors faces and every time they move you're going to have to turn you head and shift in your seat to see around the person in front of you. Tip: try rows L -P center orchestra. Best seats in the house for a straight play. They're closer than you think.)
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Post by catdishy on Aug 31, 2007 16:15:04 GMT
THanks for the pep talk and solid suggestions re rows L-P ..I'm going to be winding up a tour there, so am very limited in dates..I"m thinking I'll just turn up at the boxoffice before showtime and ask for the best of what's left.
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